We're looking for a Head of Artist Partnerships to help us grow Otherworldly into a world-leading music booking company.
Who we are 馃應 We believe live music is one of the best things humans do, and that far more artists deserve to make a living from it than currently can.
That's the opportunity we're building for.
The industry still runs on cold emails and who-knows-who, and it's.
AI now lets small teams achieve incredible things, and we intend to be the team that rebuilds this one.
Otherworldly is an AI-native talent management and booking company.
We run an actual roster, meaning real tours, real riders, real settlements, and we're turning everything we've learned into agentic infrastructure.
That means a database of 250,000+ bookers worldwide and algorithmic pitching systems that get the right artist in front of the right promoter at scale.
It's working.
We closed our seed round with roster and revenue traction already built.
Between us, we've managed No.
1 artists and Grammy nominees, led strategy for household-name brands, and founded YC-backed companies.
Most music-tech is built by people who've never booked a show.
We book shows every week.
Tasks This is our first dedicated growth hire, and a rare kind of role.
You鈥檒l own artist acquisition end-to-end and write the commercial playbook for a category that doesn鈥檛 exist yet - next-generation talent management.
You鈥檒l own a number.
By the end of next year, the goal is 120+ artist clients.
How we get there - which artists, through which doors, with what pitch - is yours to figure out, prove, and turn into a repeatable machine.
When it works, you鈥檒l likely hire the next person to run it with you.
You鈥檒l report directly to Alex (CEO) and work side-by-side with the full team in our Berlin office.
Two ways in 鉁岋笍 The people we're looking for usually arrive from one of two directions: 馃From tech, chasing the mission.
You've built and scaled at a serious tech company (Series A and beyond) and you're.